Book #2: Leonardo's Shadow
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Here is a book that had all the ingredients for a compelling read and yet, the characterization of DaVinci himself did not compel me quite so forcibly as I thought he could have, but I enjoyed how the author took him off his pedestal. DaVinci is a lesser god in this depiction, brazenly shoving off creditors, throwing occasional tantrums, enraptured in the heights of his own manic inspiration. These elements of humanity, honestly, make you adore him all the more, but wish that it had been accompanied by some of his better qualities and philosophies as well.
The mysteries of DaVinci's personal life were not dwelt upon long enough to create a sense of suspense for me. Then I realized, about halfway through, the book was probably written for a younger audience. Questions seemed answered too quickly. Tasty lures set early on led to watered-down reveals. Almost like a reverse-foreshadowing, for example... (HIGHLIGHT below for SPOILER)
Giacomo: Could DaVinci be my father?
DaVinci: Nope. Actually, you're just my servant. And I wasn't kidding...I really don't know who your parents are.
or...
Giacomo: Maybe DaVinci was in love with the Duke's mistress!
DaVinci: Naw, she's cute, but we're just pen pals now. There wasn't anything there.
OR...
Giacomo: Could DaVinci be gay?
DaVinci: Oh no, Fioromante actually WAS just a childhood friend.
So yeah, that was frustrating. But I started to wonder if it was because the book was written for a younger audience.
In any case, the immersion into world of 1400's Milan was exactly what I needed this week. I soaked in the sights, sounds, colors, depiction of the common man, and most of all, I enjoyed seeing it through the eyes of Giacomo, whose inner monologue is never quiet. It's a good, light read with elements of art and history - easy to get into and easy to finish. The segments describing the artistic process and DaVinci's work were, to me, some of the most potent escapism in the piece.
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